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A description of dance as a variety of different things

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Dance - history, theory, benefits, dance teaching

Types of dance The division of dance into types can be made on many different grounds. Ainu people dancing in front of a palace made of snow during the Asahikawa Snow Festival, Asahikawa, Japan. FPG break dancingLearn about break dancing.

They depend on analyses of movement style, structure, and performance context i. Genre usually refers to a self-contained formal tradition such as balletwithin which there may be further subgenres, such as classical and modern ballet.

Types of Dance - Categories

Some critics consider modern dance as an independent genre with a subgenre of postmodern dance, but others subsume both categories under ballet, along with other theatre dance forms such as jazz. Within subgenres, different styles can be distinguished, such as those of Ashton, MacMillan, and Balanchine in modern ballet and Graham and Cunningham in modern dance.

  1. Quotations are helpful for people studying dance, especially from a sociological and literary or dramatic standpoint, and also they help us appreciate the countless dimensions of dance and dancing, and how dance can mean so many different things to different people, depending on culture, mood, season, and the purpose of dance, etc.
  2. Genre usually refers to a self-contained formal tradition such as ballet , within which there may be further subgenres, such as classical and modern ballet.
  3. Fans of this music often wore extravagant and sexy clothing while dancing free form or structured versions of various disco dances, such as Bump, several variations of Hustle, Robot, Boogaloo, Watergate, and others.
  4. Fans of this music often wore extravagant and sexy clothing while dancing free form or structured versions of various disco dances, such as Bump, several variations of Hustle, Robot, Boogaloo, Watergate, and others.

Style as used here embraces many elements, including a preference for certain kinds of movement fast, slow, simple, or intricate or for particular kinds of energy and attack sharp, edgy, and hard, as opposed to soft and fluid. It also embraces different ways of phrasing movement or of arranging dancers into groups, as well as an interest in certain kinds of music or design.

Perhaps the most obvious division between types is that between theatre and non-theatre dance. The separation of dancer and spectator in theatre dance has tremendous influence on the style of the dance itself and on its reception as an art form.

In theatre dance the professionalism of dancer and choreographer, the presentation of dramatic and formal movement, the use of visual effects, and even the philosophical question of the role of the spectator reach their most sophisticated level. In non-theatre dance the unity of dancer and spectator, of observation and participation, means that the dance styles and even the function within the social group are quite different from those of theatre dance.

Of course, the division between the two types is not as clear in practice as in theory. For example, although ethnic and folk dances are not, in theory, theatre dances, many of them are preserved, choreographed, and presented to audiences in theatrical settings.

Ballroom Dances

Some scholars have even argued that ballet is an ethnic dance form that grew out of the European dance tradition. On the other hand, Indian and Southeast Asian dance forms are usually called ethnic dances, but within these traditions there are numerous classical dances whose theatrical settings and elaborate choreographies qualify them as theatre dances.

Bhangra, folk dance of the Punjab region of Pakistan and India. Among the non-theatre dance forms, this section discusses tribal and ethnic dance, folk dance, and social dance.