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If you touched my heart by isabel allende

Since it is impossible to answer them all, I hope the following section—a compilation of interview questions I have received over the years—will be helpful. Those interested in learning more about my life and work may also wish to read Isabel Allende: Life and Spirit by Celia Correas Zapata. I wrote plays in my youth and loved it.

I told them stories every night, and it was a wonderful training that I have maintained. In 2001, in fact, I wrote City of the Beasts, my first novel for kids and young adults.

  • Isabel allende, novelist, 65, two children married for the second time what i know about men isabel allende, novelist, 65 i come from a family of no touching, so the first time a man touched me it transformed my life i felt something open up inside me;
  • The writing can be a lot of work!

I have written humor for years, and I think that is the most difficult genre of all. I've never tried poetry and I don't think I will. Do you write in Spanish? I can only write fiction in Spanish, because it is for me a very organic process that I can only do in my native language.

Fortunately, I have excellent translators all over the world.

  • All of a sudden, you have a flash of lucidity that lets you see an event from another angle that is totally unexpected;
  • And often the cards are marked;
  • When I develop a character I usually look for a person who can serve as a model.

Do you work closely with your translator? I notice that Margaret Sayers Peden has translated most of your books into English. Margaret and I are always in touch; I believe we have a psychic connection. She does a splendid job. I do not dream of correcting her! In most other languages, however, I don't even know who translates my work. The publishers take care of that.

Margaret retired in 2010 and now my translator into English is Anne McLean. Can you elaborate on the idea of writing fiction—of telling a truth, of telling lies, of uncovering some kind of reality? Can you also talk about how these ideas might work together or against one another? The first lie of fiction is that the author gives some order to the chaos of life: As a writer, you select some part of a whole.

You decide that those things are important and the rest is not. And you write about those things from your perspective. Life is not that way.

Everything happens simultaneously, in a chaotic way, and you don't make choices. You are not the boss; life is the boss. So when you accept as a writer that fiction is lying, then you become free. You can do anything. Then you start walking in circles. The larger the circle, the more truth you can get. The wider the horizon—the more you walk, the more you linger over everything—the better chance you have of finding particles of truth. Where do you get your inspiration? I am a good listener and a story hunter.

An analysis of if you touched my heart by isabel allende

Everybody has a story and all stories are interesting if they are told in the right tone. I read newspapers, and small stories buried deep within the paper can inspire a novel. How does inspiration work? I spend ten, twelve hours a day alone in a room writing. I don't talk to anybody. I don't answer the telephone. I'm just a medium or an instrument of something that is happening beyond me, voices that talk through me. I'm creating a world that is fiction but that doesn't belong to me.

I'm not God; I'm just an instrument. And in that long, very patient daily exercise of writing I have discovered a lot about myself and about life.

I'm not conscious of what I'm writing. Can you talk about the characters?

When I develop a character I usually look for a person who can serve as a model. If I have that person in mind, it is easier for me to create characters that are believable.

People are complex and complicated—they seldom show all the aspects of their personalities. Characters should be that way too. I allow the characters to live their own lives in the book. Often I have the feeling that I don't control them. The story goes in unexpected directions and my job is to write it down, not to force it into my previous ideas.

Do you write on a computer? I take notes all the time. I have a notebook in my purse and when I see or hear something interesting, I make a note. I cut clippings from newspapers and write notes about the news I hear on TV.

I write notes on stories that people tell me. When I start a book I pull out all these notes because they inspire me. I write directly on my computer using no outline, just following my instinct. Once the story has been told on the screen, I print it for the first time and read it. Then I know what the book is about.

  1. Is it in the spirit world that the infinite plan makes sense and in the real world that it doesn't?
  2. I'm just a medium or an instrument of something that is happening beyond me, voices that talk through me.
  3. Which writers have influenced you most?

The second draft deals with language, tension, tone, and rhythm. What makes a good end to a story? A short story comes whole; there is only one appropriate ending. And you know it—you feel it. If you can't find that ending, then you don't have a story. To me a short story is like an arrow; it has to have the right direction from the beginning and you have to know exactly where you're aiming. With a novel you never know.

You go slowly, you have a pattern in mind. In the short story you have all the control. However, there are very few good short stories. And there are many memorable novels.

In a novel you can make mistakes and very few people will notice. Happy endings usually don't work for me. I like open endings. Which writers have influenced you most?

I if you touched my heart by isabel allende to the first generation of Latin American writers brought up reading other Latin American writers.

Before my time the work of Latin American writers was not well distributed, even on our continent. In Chile it was very hard to read other writers from Latin America. My greatest influences have been all the great writers of the Latin American Boom in literature: Many Russian novelists influenced me as well: Lawrence, and Virginia Woolf.

I loved mysteries and read all of Agatha Christie and Conan Doyle. Scott Fitzgerald, and many others. I read that book again every decade or so. From these books I got a sense of plot and strong characters. At that time and in that place, girls didn't have much social life aside from school and family; we didn't even go to the movies. My only escape from a troublesome family life was reading. I used a flashlight, could not mark the pages, and read quickly, skipping pages and looking for the dirty parts.

My hormones were raging and my imagination went wild with those fantastic tales. When critics call me a Latin America Sheherazade I feel very flattered! The American and European feminists that I read in my twenties gave me an articulate language to express the anger I felt against the patriarchy in which we all live.

  1. The authorities could not fly in a pump to pump out the water and save her life. And, finally, because it brought to my life the awareness of how powerful the written word can be.
  2. Every story has a way of being told.
  3. You don't have that power.
  4. I never know exactly what I'm going to write. After the military coup, I realized that he had a historical dimension.

I started working at Paula, a Chilean feminist magazine, sharpening my ideas and my pen to defy the male establishment. It was the best time of my life. I have always liked movies, and sometimes an image or a scene or a character stays with me for years and inspires me when I write. What happens when you start a novel?

When I start I am in a total limbo.