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A comparison of shakespeares plays macbeth and othello

It does not seem to matter what type of character of the female lead portrays, she will inevitably be at the root of the problems within the story.

The role of the females in both Othello and Goodnight Desdemona was to become a problem for the main character. Desdemona is the main female character in Othello and she plays a major role in Goodnight Desdemona, and even though they are different roles in each play she is still the cause of major plot developments in both.

In Goodnight Desdemona, she takes on a very different character. It seemed that Ann- Marie MacDonald wanted to give more power to Desdemona as a character by making her aggressive and driven. She had a goal and she was going to accomplish it; so in essence, she was actively seeking confrontation.

This is in stark contrast to Othello, where she was avoiding confrontation and was defensive while trying to smooth over the arising issues.

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As a character quick to the offense in Good Night Desdemona, she has no qualms about becoming violent. Even though Desdemona may seem more powerful and outspoken in Goodnight Desdemona, she is still a weak character who is easily manipulated in both plays, whether it is by Iago or her own emotions.

She does not seem to think about her actions; instead she simply behaves exactly how Iago thinks she will based off her predictable nature. This lack of critical thinking on her part may have contributed to her demise.

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In Goodnight Desdemona, she is driven and goal oriented, however she is a slave to her emotions. However, Desdemona is quite set on exacting her punishment on Constance before even being sure of the truth of the situation.

This is a brash decision based off of raw emotion. Desdemona is able to sacrifice everything for her love of her husband.

  • Desdemona is the main female character in Othello and she plays a major role in Goodnight Desdemona, and even though they are different roles in each play she is still the cause of major plot developments in both;
  • Examined are Macbeth's perception of himself as a "good man," Macbeth's conscience, and some of the outside forces that adversely affect him;
  • A 5 page paper that considers Richard's perceptions of love as they relate to the common theme of love in Shakespeare's work;
  • Bibliography lists 3 sources.

The femininity of these characters led them to be loving and nurturing women but in the big picture, it became a weakness. In Othello, Desdemona is a very feminine character. She is described as a daughter and a wife.

Shakespeares use of minor characters in Macbeth and Othello Paper

Her role is determined by her relationship to the male characters, and her behaviour is directed by the males as well. She cares about the other characters in the play and goes out of her way to try to help them and spare their feelings.

Good love call him back…shall I deny you? She kept bringing him up, and asked numerous times when they would speak. She was blinded by her idea of what was right for her friend, and that caused her to not take into account what was right for her husband.

Scenically, then, the work that 4. The unpinning of Desdemona does show her femininity and in the same manner, her vulnerability. She is constantly displayed as the weak female in the play. At the mercy of the decisions of the males around her, Ann-Marie MacDonald takes a very different approach.

comparison and contrast paper of Macbeth and Othello

She depicts Desdemona as a more masculine character. She is brash and violent, behaving like her husband did in the original play. She talks of how women must be able to defend themselves and think in a black and white manner, namely what is right is right and what is wrong is wrong. Here she is trying to convince Constance that the right thing to do is to slay her enemy, Professor Night, because it will make her feel better.

She is loud, tempestuous, violent, and generally unafraid of anyone or anything…Desdemona's character also fits the humorous recipe of the gap between expectation and performance, and symbolically acts as the "woman of action" aspect of the Jungian Trinity.

Desdemona and the Role of the Female Character in Othello and Other Plays

However, just as her femininity was a weakness in Othello, this masculinity is also a weakness. She is still unable to think beyond the immediate situation and it leads to problems. She is still obsessed with what is right, but she has a different, more violent view upon what right is exactly. Desdemona is not a very complex character, even though she is the cause of most of the complexities of both plays.

It is her simple mindedness and inability to think critically which leads her to trouble no matter what her train of thought is, whether it is innocent and helpful as in Othello, or brash and violent like in Goodnight Desdemona. She is inevitably at the root of the problems in both stories and it would have only taken some fresh thinking in either play to save her from a lot of heartache.

A comparative essay on Othello and Macbeth

However that was not her role; instead she was meant to cause issues. Works Cited Djordjevic, Igor. Goodnight Desdemona Good morning Juliet. A Journal of Performance Criticism and Scholarship.